翻訳と辞書
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・ Live at the Knitting Factory New York City
・ Live at the L.A. Troubadour
・ Live at the Lampie
・ Live at the Lighthouse
・ Live at the Lighthouse (Charles Earland album)
・ Live at the Lighthouse (Elvin Jones album)
・ Live at The Lighthouse (Grant Green album)
・ Live at the Lighthouse (Lee Morgan album)
・ Live at the Lighthouse (Modern Jazz Quartet album)
・ Live at the Lighthouse (The Three Sounds album)
・ Live at the Loft
・ Live at the Loft & More
・ Live at the London Palladium
・ Live at the London Troxy
・ Live at the Loosdrecht Jazz Festival
Live at the Lower Manhattan Ocean Club
・ Live at the Luminaire
・ Live at the Macbeth, London 7th May 2011
・ Live at the Machine Shop
・ Live at the Machine Shop!
・ Live at the Magic Bag
・ Live at the Mar Y Sol Festival '72
・ Live at the Marquee
・ Live at the Marquee (Dream Theater album)
・ Live at the Marquee (festival)
・ Live at the Marquee (Gary Moore album)
・ Live at the Marquee (Girl album)
・ Live at the Marquee (Jesus Jones album)
・ Live at the Marquee (King Crimson album)
・ Live at the Marquee (Osibisa album)


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Live at the Lower Manhattan Ocean Club : ウィキペディア英語版
Live at the Lower Manhattan Ocean Club

''Live at the Lower Manhattan Ocean Club'' is a live album by David Murray. It was originally released as two volumes on the India Navigation label in 1978 and re-released in 1989 on a single CD (with a slightly edited final track). It features a live performance by Murray, Lester Bowie, Fred Hopkins and Phillip Wilson recorded in concert at the Lower Manhattan Ocean Club, NYC.
==Reception==
''The Rolling Stone Jazz Record Guide'' called the first volume of ''Live at the Lower Manhattan Ocean Club'' "an epoch-stretching quartet set".〔
The Allmusic review by Scott Yanow awarded the album 3 stars stating "This double CD, which packages together the two original LPs, captures David Murray's quartet (trumpeter Lester Bowie, bassist Fred Hopkins and drummer Phillip Wilson) in high spirits. The six selections (four are over ten minutes and "For Walter Norris" exceeds 21) are full of spirit, looseness, humor, screams and screeches. Some of it rambles on too long (and Murray's soprano on "Bechet's Bounce" is quite silly) but it generally holds on to one's attention.".〔Yanow, S. (Allmusic Review ) accessed July 5, 2011〕

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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